Title | They're Boots Darling |
Agency | Ogilvy |
Campaign | They're Boots Darling |
Advertiser | Boots |
Brand | Boots Opticians |
Date of First Broadcast/Publication | 2020 / 1 |
Business Sector | Opticians |
Media Type | Television |
Length | |
Soundtrack | I migliori anni della nostra vita '50 |
Editing Company | The Assembly Rooms |
Chief Creative Officer | Jules Chalkley |
Executive Creative Director | Sam Cartmell |
Creative Team | Dave Anderson |
Creative Team | Ian Brassett |
Executive Client Lead | Fiona Gordon |
Account Director | Michele Lardner |
Social Media Expert | Thomas Wigley |
Strategist | Charlotte Walters |
Executive Agency Producer | Sally Miller |
Assistant Agency Producer | Ancika Mester |
Marketing Director | Madeline Shaw |
Marketing Manager | Gail Borley |
Assistant Marketing Manager | Joseph Cunningham |
Marketing Manager | Guy Smith |
Production Company | Academy Films |
Director | Vince Squibb |
Assistant Director | Jez Oakley |
Executive Producer | Mark W Williams |
Line Producer | Alice Hopgod |
Director of Photography (DOP) | Daniel Voldheim |
Editor | Sam Rice-Edwards |
Production Company Producer | Daniel Brehemy |
Grading/Online | The Mill London |
Colorist | Seamus OKane |
Colour Producer | Charlie Morris |
Post Production | Carlos Herrera GPS |
Post Production | Annika Gustavsson |
Sound Design Company | GPS |
Sound Engineer | Toby Griffin |
Music | One More Music Company |
Artist | Fred Buscaglione |