Why did you think it was important to join the PHNX jury this year?
I have been a PHNX judge twice before, and since the festival started my creative perspective has changed, I have strengthened my criteria and I believe that my ability to vote for creativity has improved. I think this will help ensure that not everyone receives metal and in the medium term that can help the industry raise the creative level without forgetting the advertising aspect.
What do you think of our hybrid jury, featuring creatives but also strategists, clients and people from all corners of the industry?
I think it's fine as long as everyone has the same vision for the ideas.
What do you think of the idea of free entry until the shortlist stage?
I think it encourages participation, I'm worried that the level will drop.
How would you define the perfect PHNX Awards winner?
A piece that in narrative works perfectly with the vision of the brand and that creatively stands out a lot from an everyday campaign (internationally speaking).
What is having the biggest impact on creative trends at the moment?
It depends on the category, I think that in goodwill ideas, mental health in all its aspects is going to be highly awarded this year and the inclusion campaigns. In print and film, the slice of life, pieces with powerful insights within every day and with a narrative simple and clear. In addition to crafting, many pieces will revolve around AI, but the human craft behind the pieces will begin to be valued much more.
Who would you nominate as your two or three “creatives of the year”?
Arah Kim, ACD at Wieden + Kennedy México. She is one of the best creatives I have worked with, this has also been a great year for her and her work.
Luis Enrique "Madruga", Chief Creative Officer at VML México. He is a genius, and with the merger of VML that made it the largest agency in the world, and Mexico, he is the perfect leader for it and deserves that recognition.