LACOSTE’S CROCODILE TAKES A BIG BITE OUT OF THIS STYLISH CATEGORY, BUT THE BRITS STILL RISE TO THE TOP WITH BURBERRY.
As in previous years, Lacoste and its agency BETC win big in this category. This time their campaign focuses on the brand’s most iconic and timeless garments, with a mixture of print and short films that have a lovely light touch. It’s advertising with the power to improve your mood. The same might be said of the leading film here: a beautifully shot piece that also sells the clothes, but in a discreet and poetic way. An entry for BMW from China disrupts the usually suave ambience of luxury automobile commercials with a film that pops.
As in previous years, Lacoste and its agency BETC win big in this category. This time their campaign focuses on the brand’s most iconic and timeless garments, with a mixture of print and short films that have a lovely light touch. It’s advertising with the power to improve your mood. The same might be said of the leading film here: a beautifully shot piece that also sells the clothes, but in a discreet and poetic way. An entry for BMW from China disrupts the usually suave ambience of luxury automobile commercials with a film that pops.
Most awarded
campaigns, brands &
agencies in
Luxury in
2023
Most awarded
campaigns, brands and
agencies in
Luxury in
2023
CAMPAIGNS
Brand, Title, Agency | |
---|---|
1 |
Riff Raff Films, London |
2 |
BETC Paris, Pantin |
3 |
BETC Paris, Pantin |
4 |
TBWA\Bolt |
5 |
DM9DDB, São Paulo |
6 |
BETC Paris, Pantin |
7 |
Hero, Sydney |
8 |
BETC Paris, Pantin |
9 |
Leo Burnett Detroit |
10 |
Dentsu Inc., Tokyo |
11 |
LePub (HQ), Milano |
12 |
Grabarz & Partner, Hamburg |
13 |
Monks London |
14 |
|
15 |
Design Bridge & Partners, London |
BRANDS
Brand | ||
---|---|---|
1 | Lacoste | |
2 | Burberry | |
3 | BMW | |
4 | Leica | |
5 | Gucci |
AGENCIES
Name | ||
---|---|---|
1 | BETC Paris, Pantin | |
2 | Riff Raff Films, London | |
3 | TBWA\Bolt | |
4 | DM9DDB, São Paulo | |
5 | Hero, Sydney |
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1. Burberry / Night Creatures
Title | Night Creatures |
Agency | Riff Raff Films |
Campaign | Night Creatures |
Advertiser | Burberry |
Brand | Burberry |
Date of First Broadcast/Publication | 2022 / 10 |
Business Sector | Designer Clothing |
Story | Venturing into the unknown has been part of Burberry's story since the beginning, starting with founder Thomas Burberry's creation of innovative outerwear. Today, Burberry, Riff Raff and Megaforce continue this legacy with a film that blurs the lines between reality and fantasy. A celebration of the joy and opportunity found in fearlessly embracing the unknown. |
Media Type | Web Film |
Length | |
Sound Design Company | 750mph |
Production Company | Riff Raff Films |
Director | Megaforce |
Executive Producer | Matthew Fone |
Account Manager | Matthew Fone |
Production Company Producer | James Waters |
Production Company Producer | Tracey Cooper |
Production Manager | Davina Abrahams |
Production Assistant | Patch Wadsworth |
Production Assistant | Ellie de Rose |
Talent/Actors | Alanna Archibald |
Talent/Actors | Joshua Burnett-B |
Talent/Actors | Nonoka Kato |
Assistant Director | Chris Kelly |
Director of Photography (DOP) | Mauro Chiarello |
Gaffer | Jonny Franklin |
Production Designer | Andy Kelly |
Production Art Director | Ashley Dando |
Editing Company | Work Editorial |
Editor | Rich Orrick |
ECD | Alex Lovejoy |
2D Lead | Alex Lovejoy |
Creative Director/Lead VFX Artist | Will Laban |
CG Lead | Will Laban |
Animation | Marion Strunck |
VFX Producer | Grace Thorpe |
VFX Producer | Saskia Delius |
Colorist | Emiliano Serantoni |
Colorist | Maruf Khan |
Sound Designer | Sam Ashwell |
Mixer | Sam Ashwell |
Sound Designer | Jake Ashwell |
Mixer | Jake Ashwell |
Audio Post Production | Olivia Ray |
Title | Bucket Hat 1 |
Agency | BETC Paris |
Campaign | Unexpected Encounters |
Advertiser | Lacoste |
Brand | Lacoste |
Date of First Broadcast/Publication | 2022 / 4 |
Business Sector | Apparel, Fashion & Footwear |
Story | Lacoste is a classic chic premium brand which was democratized in spite of itself in the 90's. A move that the brand accepted and is proud today to embrace all cultures.To reinforce a positioning that is relevant to its target audience, the Crocodile wishes to move towards inclusion, the collective and the celebration of differences.The “Unexpected Encounters” campaign defines a renewed creative territory that gives life to their new brand mission built around the liberation of movement and the connection between cultures. |
Philosophy (original language) | Depuis 1933, le crocodile Lacoste transcende le temps, les styles, les genres, son terrain de jeu n’a pas de limite. Sa particularité est ainsi d’être porté par des personnes venues de tous horizons, chacun s’appropriant le crocodile à sa façon. CÉLÉBRER DES RENCONTRES INATTENDUES Inspirée par la réalité de la communauté Lacoste, la nouvelle campagne dévoile cet instant où deux personnes très différentes se croisent par hasard et découvrent qu’elles ont un point commun : une pièce arborant le crocodile Lacoste. Voilà l'élément déclencheur de rencontres tendres et drôles provoquant sourires, jeux de regards et complicité. Cette nouvelle campagne signée BETC célèbre le crocodile comme initiateur de rencontres inattendues. Il fait le lien entre des personnes que tout semblait opposer. Pour renforcer l’authenticité de ces rencontres, les protagonistes sont en grande partie incarnés par un casting sauvage, des personnes qui n’avaient jamais joué les mannequins et qui, le temps d’une journée, ont endossé ce rôle avec spontanéité et fraicheur. Sur une plage, Marga croise Anis qui pourrait avoir l’âge de son petit-fils et s’étonne de porter le même polo rose que lui. Un skateur porte le même bob qu’une petite fille, se porte-t-il sur les yeux ou relevé ? Et que peuvent se dire deux « claquettes chaussettes » lorsqu’ils se croisent ? UNE NOUVELLE TONALITÉ Avec cette campagne, Lacoste, à partir de ses iconiques, installe une nouvelle tonalité de marque, fraîche et pleine d’esprit. Le photographe irlandais Ronan Gallagher a su capturer ces instants volés. Il a mixé son style issu du documentaire à une vibration mode pour des clichés authentiques et spontanés. En vidéo, des scènes de vie, racontées avec humour et légèreté par la réalisatrice française Laure Atanasyan, enrichissent la campagne dans la même humeur. Elles sont déployées en social media avec les reels des Original Kids. La musique de The Sugarhill Gang – Apache vient renforcer cette idée d’hybridation des cultures. Elle est elle-même à la croisée des genres entre rock instrumental, western et hip-hop. Elle se déclenche joyeusement à chacune des connexions pour accompagner nos protagonistes dans la rencontre. Cette nouvelle campagne de marque Lacoste met en scène le pouvoir du crocodile. Il fédère autant qu’il permet à chacune et chacun d’exprimer sa différence. Le crocodile est à lui seul ce territoire qui unit et s’érige en point de ralliement à la croisée des cultures, des générations et des styles. |
Media Type | |
Length | |
Soundtrack | The Sugarhill Gang "Apache" |
Advertising Manager | Catherine SPINDLER |
Advertising Manager | Nathalie Beguinot |
Advertising Manager | Julien Scheubel |
Advertising Manager | Mylène Atlan |
Advertising Manager | Caroline Geraud |
Account Management | Gaëlle Gicqueau |
Account Management | Fanny Buisseret |
Account Management | Suzy Morin |
Account Management | Théophile Geslain |
Executive Creative Director | Florence Bellisson |
Art Director | Agnès Cavard |
Art Director Assistant | Joachim Touitou |
Copywriter | Antoine Gauquelin |
Music Creative Director | Adam Ghoubali |
Music Supervision | Seril Farran |
Strategic Planner | Louis Chahan |
Traffic Team | Letizia Felici |
Art Buyer | Isabelle MOCQ |
Agency TV Producer | Caroline Bouillet |
Post Production | Nathalie Le-Gal |
Post Production | Valérie Kula |
Post Production | Inès Brianceau |
Production Company | Kitten |
Sound Production | GUM – Green United Music |
Music Composer | Jerry Lordans |
Photographer | Ronan Gallagher |
Director | Laure Atanasyan |
Director Reels | Original Kids |
Head of Media | Group M |
Title | Tennis Court 1 |
Agency | BETC Paris |
Campaign | Unexpected Encounters |
Advertiser | Lacoste |
Brand | Lacoste |
Date of First Broadcast/Publication | 2022 / 4 |
Business Sector | Apparel, Fashion & Footwear |
Story | Lacoste is a classic chic premium brand which was democratized in spite of itself in the 90's. A move that the brand accepted and is proud today to embrace all cultures.To reinforce a positioning that is relevant to its target audience, the Crocodile wishes to move towards inclusion, the collective and the celebration of differences.The “Unexpected Encounters” campaign defines a renewed creative territory that gives life to their new brand mission built around the liberation of movement and the connection between cultures. |
Philosophy (original language) | Depuis 1933, le crocodile Lacoste transcende le temps, les styles, les genres, son terrain de jeu n’a pas de limite. Sa particularité est ainsi d’être porté par des personnes venues de tous horizons, chacun s’appropriant le crocodile à sa façon. CÉLÉBRER DES RENCONTRES INATTENDUES Inspirée par la réalité de la communauté Lacoste, la nouvelle campagne dévoile cet instant où deux personnes très différentes se croisent par hasard et découvrent qu’elles ont un point commun : une pièce arborant le crocodile Lacoste. Voilà l'élément déclencheur de rencontres tendres et drôles provoquant sourires, jeux de regards et complicité. Cette nouvelle campagne signée BETC célèbre le crocodile comme initiateur de rencontres inattendues. Il fait le lien entre des personnes que tout semblait opposer. Pour renforcer l’authenticité de ces rencontres, les protagonistes sont en grande partie incarnés par un casting sauvage, des personnes qui n’avaient jamais joué les mannequins et qui, le temps d’une journée, ont endossé ce rôle avec spontanéité et fraicheur. Sur une plage, Marga croise Anis qui pourrait avoir l’âge de son petit-fils et s’étonne de porter le même polo rose que lui. Un skateur porte le même bob qu’une petite fille, se porte-t-il sur les yeux ou relevé ? Et que peuvent se dire deux « claquettes chaussettes » lorsqu’ils se croisent ? UNE NOUVELLE TONALITÉ Avec cette campagne, Lacoste, à partir de ses iconiques, installe une nouvelle tonalité de marque, fraîche et pleine d’esprit. Le photographe irlandais Ronan Gallagher a su capturer ces instants volés. Il a mixé son style issu du documentaire à une vibration mode pour des clichés authentiques et spontanés. En vidéo, des scènes de vie, racontées avec humour et légèreté par la réalisatrice française Laure Atanasyan, enrichissent la campagne dans la même humeur. Elles sont déployées en social media avec les reels des Original Kids. La musique de The Sugarhill Gang – Apache vient renforcer cette idée d’hybridation des cultures. Elle est elle-même à la croisée des genres entre rock instrumental, western et hip-hop. Elle se déclenche joyeusement à chacune des connexions pour accompagner nos protagonistes dans la rencontre. Cette nouvelle campagne de marque Lacoste met en scène le pouvoir du crocodile. Il fédère autant qu’il permet à chacune et chacun d’exprimer sa différence. Le crocodile est à lui seul ce territoire qui unit et s’érige en point de ralliement à la croisée des cultures, des générations et des styles. |
Media Type | |
Length | |
Soundtrack | The Sugarhill Gang "Apache" |
Advertising Manager | Catherine SPINDLER |
Advertising Manager | Nathalie Beguinot |
Advertising Manager | Julien Scheubel |
Advertising Manager | Mylène Atlan |
Advertising Manager | Caroline Geraud |
Account Management | Gaëlle Gicqueau |
Account Management | Fanny Buisseret |
Account Management | Suzy Morin |
Account Management | Théophile Geslain |
Executive Creative Director | Florence Bellisson |
Art Director | Agnès Cavard |
Art Director Assistant | Joachim Touitou |
Copywriter | Antoine Gauquelin |
Music Creative Director | Adam Ghoubali |
Music Supervision | Seril Farran |
Strategic Planner | Louis Chahan |
Traffic Team | Letizia Felici |
Art Buyer | Isabelle MOCQ |
Agency TV Producer | Caroline Bouillet |
Post Production | Nathalie Le-Gal |
Post Production | Valérie Kula |
Post Production | Inès Brianceau |
Production Company | Kitten |
Sound Production | GUM – Green United Music |
Music Composer | Jerry Lordans |
Photographer | Ronan Gallagher |
Director | Laure Atanasyan |
Director Reels | Original Kids |
Head of Media | Group M |
4. BMW / Nothing But Sheer Joy
Title | Nothing But Sheer Joy |
Agency | TBWA\Bolt |
Campaign | Nothing But Sheer Joy |
Advertiser | BMW |
Brand | BMW |
Posted | June 2022 |
Business Sector | Full Size & DeLuxe Cars |
Media Type | Social Media |
Length | |
Market | United States |
5. Leica M11 / The One Exhibition
Title | The One Exhibition |
Agency | DM9DDB |
Campaign | The One Exhibition |
Advertiser | Leica |
Brand | Leica M11 |
Date of First Broadcast/Publication | 2022 |
Business Sector | Cameras & Video Cameras |
Story | To showcase the power of the camera’s 60 megapixel sensor, the brand curated an entire exhibition of images from just one photograph. All of the edits were diamond sharp. |
Media Type | Poster |
Length | |
Art Director | Lincoln T2 |
Art Director | Lucas Jaiminho |
Art Director | Victoria Rocha |
Chief Creative Officer | Icaro Doria |
Creative Director | Bruno Anibal |
Creative Director | Caio Zucchi |
Creative Director | Lucas Casão |
Creative Director | Guilherme Racz |
Executive Creative Director | Nina Lucato |
Photographer | Dan Baker |
Copywriter | Sammy Gold |
Strategist | Victoria De Souza Gomes |
Title | Socks and Sandals 1 |
Agency | BETC Paris |
Campaign | Unexpected Encounters |
Advertiser | Lacoste |
Brand | Lacoste |
Date of First Broadcast/Publication | 2022 / 4 |
Business Sector | Apparel, Fashion & Footwear |
Story | Lacoste is a classic chic premium brand which was democratized in spite of itself in the 90's. A move that the brand accepted and is proud today to embrace all cultures.To reinforce a positioning that is relevant to its target audience, the Crocodile wishes to move towards inclusion, the collective and the celebration of differences.The “Unexpected Encounters” campaign defines a renewed creative territory that gives life to their new brand mission built around the liberation of movement and the connection between cultures. |
Philosophy (original language) | Depuis 1933, le crocodile Lacoste transcende le temps, les styles, les genres, son terrain de jeu n’a pas de limite. Sa particularité est ainsi d’être porté par des personnes venues de tous horizons, chacun s’appropriant le crocodile à sa façon. CÉLÉBRER DES RENCONTRES INATTENDUES Inspirée par la réalité de la communauté Lacoste, la nouvelle campagne dévoile cet instant où deux personnes très différentes se croisent par hasard et découvrent qu’elles ont un point commun : une pièce arborant le crocodile Lacoste. Voilà l'élément déclencheur de rencontres tendres et drôles provoquant sourires, jeux de regards et complicité. Cette nouvelle campagne signée BETC célèbre le crocodile comme initiateur de rencontres inattendues. Il fait le lien entre des personnes que tout semblait opposer. Pour renforcer l’authenticité de ces rencontres, les protagonistes sont en grande partie incarnés par un casting sauvage, des personnes qui n’avaient jamais joué les mannequins et qui, le temps d’une journée, ont endossé ce rôle avec spontanéité et fraicheur. Sur une plage, Marga croise Anis qui pourrait avoir l’âge de son petit-fils et s’étonne de porter le même polo rose que lui. Un skateur porte le même bob qu’une petite fille, se porte-t-il sur les yeux ou relevé ? Et que peuvent se dire deux « claquettes chaussettes » lorsqu’ils se croisent ? UNE NOUVELLE TONALITÉ Avec cette campagne, Lacoste, à partir de ses iconiques, installe une nouvelle tonalité de marque, fraîche et pleine d’esprit. Le photographe irlandais Ronan Gallagher a su capturer ces instants volés. Il a mixé son style issu du documentaire à une vibration mode pour des clichés authentiques et spontanés. En vidéo, des scènes de vie, racontées avec humour et légèreté par la réalisatrice française Laure Atanasyan, enrichissent la campagne dans la même humeur. Elles sont déployées en social media avec les reels des Original Kids. La musique de The Sugarhill Gang – Apache vient renforcer cette idée d’hybridation des cultures. Elle est elle-même à la croisée des genres entre rock instrumental, western et hip-hop. Elle se déclenche joyeusement à chacune des connexions pour accompagner nos protagonistes dans la rencontre. Cette nouvelle campagne de marque Lacoste met en scène le pouvoir du crocodile. Il fédère autant qu’il permet à chacune et chacun d’exprimer sa différence. Le crocodile est à lui seul ce territoire qui unit et s’érige en point de ralliement à la croisée des cultures, des générations et des styles. |
Media Type | |
Length | |
Soundtrack | The Sugarhill Gang "Apache" |
Advertising Manager | Catherine SPINDLER |
Advertising Manager | Nathalie Beguinot |
Advertising Manager | Julien Scheubel |
Advertising Manager | Mylène Atlan |
Advertising Manager | Caroline Geraud |
Account Management | Gaëlle Gicqueau |
Account Management | Fanny Buisseret |
Account Management | Suzy Morin |
Account Management | Théophile Geslain |
Executive Creative Director | Florence Bellisson |
Art Director | Agnès Cavard |
Art Director Assistant | Joachim Touitou |
Copywriter | Antoine Gauquelin |
Music Creative Director | Adam Ghoubali |
Music Supervision | Seril Farran |
Strategic Planner | Louis Chahan |
Traffic Team | Letizia Felici |
Art Buyer | Isabelle MOCQ |
Agency TV Producer | Caroline Bouillet |
Post Production | Nathalie Le-Gal |
Post Production | Valérie Kula |
Post Production | Inès Brianceau |
Production Company | Kitten |
Sound Production | GUM – Green United Music |
Music Composer | Jerry Lordans |
Photographer | Ronan Gallagher |
Director | Laure Atanasyan |
Director Reels | Original Kids |
Head of Media | Group M |
7. Maybelline / Through Their Eyes
Title | Through Their Eyes |
Agency | Hero |
Campaign | Through Their Eyes |
Advertiser | L'Oréal |
Brand | Maybelline |
Date of First Broadcast/Publication | 2023 / 2 |
Business Sector | Cosmetics, Beauty Products & Perfumes |
Story | Over the past few years, Maybelline New York has had an increasing number of gaming partnerships and events. Their gaming marketing strategy, which also appeals to members of the LGBTQ community, reflects the diverse groups of people that use makeup. Through Their Eyes comes before Maybelline New York's Eyes Up Cup gaming event, an all-woman battle royale. The Through Their Eyes campaign involved a social experiment where two popular male gamers, Joel “JoelBergs” Bergs and Drew “DrewD0g” Warne, played a first-person shooter and used voice modification to make their voices sound female. Almost immediately, the two gamers began to face harassment. Other players told them to shut up and go back to the kitchen, used extremely explicit and objectifying language, and told them they wanted to have sex with them. They also had gamers drop out of online matches or ignore them completely |
Media Type | Branded Content |
Length | |
Advertising Manager | Alexandra Shadbolt |
Advertising Manager | Alana Pozzebon |
Advertising Manager | Adele Courgenay |
Advertising Manager | Liz Odey |
Advertising Manager | Tess Norman |
Advertising Manager | Dawid Zastawnik |
Executive Creative Director | Shane Geffen |
Creative Director | Andrew Woodhead |
Art Director | Charlotte Shearsmith |
Copywriter | Anneliese Sullivan |
Copywriter | Will Fox |
Senior Designer | Aaron Wickers |
Head of Strategy | Tallon Mason-Kane |
Group Business Director | Charlie McDevitt |
National Digital Managing Partner | Tim Evans |
Lead Project Manager | Jenny Pham Manuel |
Producer | Grace Quinn |
Editor | Joel Sharpe |
Online Editior | Adrian Katz |
Production Company | Truce Films |
Director | Jessica Barclay Lawton |
Executive Producer | Elise Trenorden |
Producer | Carla McConnell |
Director of Photography (DOP) | Jesse Gohier-Fleet |
Music / Sound Design | Gusto Studios |
Creative Agency | McCann Worldgroup Australia |
8. Lacoste / Bucket Hat
Title | Bucket Hat |
Agency | BETC Paris |
Campaign | Unexpected Encounters |
Advertiser | Lacoste |
Brand | Lacoste |
Date of First Broadcast/Publication | 2022 / 4 |
Business Sector | Apparel, Fashion & Footwear |
Philosophy (original language) | Depuis 1933, le crocodile Lacoste transcende le temps, les styles, les genres, son terrain de jeu n’a pas de limite. Sa particularité est ainsi d’être porté par des personnes venues de tous horizons, chacun s’appropriant le crocodile à sa façon. CÉLÉBRER DES RENCONTRES INATTENDUES Inspirée par la réalité de la communauté Lacoste, la nouvelle campagne dévoile cet instant où deux personnes très différentes se croisent par hasard et découvrent qu’elles ont un point commun : une pièce arborant le crocodile Lacoste. Voilà l'élément déclencheur de rencontres tendres et drôles provoquant sourires, jeux de regards et complicité. Cette nouvelle campagne signée BETC célèbre le crocodile comme initiateur de rencontres inattendues. Il fait le lien entre des personnes que tout semblait opposer. Pour renforcer l’authenticité de ces rencontres, les protagonistes sont en grande partie incarnés par un casting sauvage, des personnes qui n’avaient jamais joué les mannequins et qui, le temps d’une journée, ont endossé ce rôle avec spontanéité et fraicheur. Sur une plage, Marga croise Anis qui pourrait avoir l’âge de son petit-fils et s’étonne de porter le même polo rose que lui. Un skateur porte le même bob qu’une petite fille, se porte-t-il sur les yeux ou relevé ? Et que peuvent se dire deux « claquettes chaussettes » lorsqu’ils se croisent ? UNE NOUVELLE TONALITÉ Avec cette campagne, Lacoste, à partir de ses iconiques, installe une nouvelle tonalité de marque, fraîche et pleine d’esprit. Le photographe irlandais Ronan Gallagher a su capturer ces instants volés. Il a mixé son style issu du documentaire à une vibration mode pour des clichés authentiques et spontanés. En vidéo, des scènes de vie, racontées avec humour et légèreté par la réalisatrice française Laure Atanasyan, enrichissent la campagne dans la même humeur. Elles sont déployées en social media avec les reels des Original Kids. La musique de The Sugarhill Gang – Apache vient renforcer cette idée d’hybridation des cultures. Elle est elle-même à la croisée des genres entre rock instrumental, western et hip-hop. Elle se déclenche joyeusement à chacune des connexions pour accompagner nos protagonistes dans la rencontre. Cette nouvelle campagne de marque Lacoste met en scène le pouvoir du crocodile. Il fédère autant qu’il permet à chacune et chacun d’exprimer sa différence. Le crocodile est à lui seul ce territoire qui unit et s’érige en point de ralliement à la croisée des cultures, des générations et des styles. |
Media Type | Television |
Length | |
Soundtrack | The Sugarhill Gang "Apache" |
Advertising Manager | Catherine SPINDLER |
Advertising Manager | Nathalie Beguinot |
Advertising Manager | Julien Scheubel |
Advertising Manager | Mylène Atlan |
Advertising Manager | Caroline Geraud |
Account Management | Gaëlle Gicqueau |
Account Management | Fanny Buisseret |
Account Management | Suzy Morin |
Account Management | Théophile Geslain |
Executive Creative Director | Florence Bellisson |
Art Director | Agnès Cavard |
Art Director Assistant | Joachim Touitou |
Copywriter | Antoine Gauquelin |
Music Creative Director | Adam Ghoubali |
Music Supervision | Seril Farran |
Strategic Planner | Louis Chahan |
Traffic Team | Letizia Felici |
Art Buyer | Isabelle MOCQ |
Agency TV Producer | Caroline Bouillet |
Post Production | Nathalie Le-Gal |
Post Production | Valérie Kula |
Post Production | Inès Brianceau |
Production Company | Kitten |
Sound Production | GUM – Green United Music |
Music Composer | Jerry Lordans |
Photographer | Ronan Gallagher |
Director | Laure Atanasyan |
Director Reels | Original Kids |
Head of Media | Group M |
9. Buick / See Her Greatness
Title | See Her Greatness |
Agency | Leo Burnett Detroit |
Campaign | See Her Greatness |
Advertiser | General Motors Corp. |
Brand | Buick |
Posted | April 2023 |
Business Sector | Automotive |
Media Type | Digital |
Length | |
Advertising Manager | Anthony Biondo |
Advertising Manager | Duncan Aldred |
Advertising Manager | Mallory Woodrow |
Advertising Manager | Molly Peck |
Advertising Manager | Sam Russell |
Associate Creative Director | Rich Toltzman |
Creative Director | André Felix |
Creative Director | Chris Handyside |
Creative Director | Dan Councilor |
Creative Director | Tom Topolewski |
Creative Director | Vinny DeAraujo |
Art Director | James Bruff |
Designer | Stavo Alvarez |
10. Gucci / Kaguya by Gucci
Title | Kaguya by Gucci |
Agency | Dentsu Inc. |
Campaign | Kaguya by Gucci |
Advertiser | Gucci |
Brand | Gucci |
Date of First Broadcast/Publication | 2022 / 8 |
Business Sector | Apparel, Fashion & Footwear |
Media Type | Branded Content |
Length | |
Director | Makoto Nagahisa |
Production Company | Tsuzuku |
Production Company | Ghostitch |
Production Company | Geek Pictures |
Creative Director | Toshihiko Tanabe |
Production Designer | Urara Mano |
Producer | Yasuo Suzuki |
Music Composer | Keiichiro Shibuya |
Cinematography | Hiroaki Takeda |
Lighting Director | Yuki Maeshima |
Sound Designer | Junnosuke Okita |
Art Director | Enzo |
Art Director | Reiko Goto |
Stylist | Koji Oyamada |
Hair Stylist | KENICHI |
Make-Up Artist | YUMI ENDO |
Assistant Director | Tomohiro Furuta |
Editor | Shunichi Sone |
Colorist | Nemoto Hisashi |
CG producer | Tomohiro Futase |
Digital Artist | Daisuke Ukisita |
Artist | Makoto Egashira |
11. Bottega Veneta / Bottega For Bottegas
Title | Bottega For Bottegas |
Agency | LePub (HQ) |
Campaign | Bottega For Bottegas |
Advertiser | Bottega Veneta |
Brand | Bottega Veneta |
Posted | December 2021 |
Business Sector | Apparel, Fashion & Footwear |
Media Type | Digital |
Length | |
Global CCO Publicis Worldwide | Bruno Bertelli |
Chief Creative Officer | Cristiana Boccassini |
Co-CCO | Mihnea Gheorghiu |
Creative Director | Costanza Rossi |
Art Director Supervisor | Marie Poumeyrol |
Chief Production Officer | Francesca Zazzera |
Global Producer | Mariella Maiorano |
Agency Producer | Tania Dal Pra |
Client Services Director | Giada Salerno |
Client Services Director | Benedetta Virga |
Account Supervisor | Elisa Tanganelli |
Senior Project Manager | Vittorio Cafiero |
Global Creative Director | Sandra Bold |
12. Porsche / Sportmade – The new 911 Dakar
Title | Sportmade – The new 911 Dakar |
Agency | Grabarz & Partner |
Campaign | Sportmade – The new 911 Dakar |
Advertiser | Dr. Ing. h.c. F. Porsche AG |
Brand | Porsche |
Date of First Broadcast/Publication | 2022 |
Business Sector | Sport Cars |
Media Type | Branded Content |
Length | |
Chief Creative Officer | Ralf Heuel |
Chief Executive Officer (CEO) | Reinhard Patzschke |
Chief Executive Officer (CEO) | Julica Hauke |
Creative Director | Frederik Wetzel |
Creative Director | Ralf Nolting |
Creative Director | Florian Pack |
Creative Director | Tim Lehnebach |
Art Director | Tilo Richter |
Copywriter | Oliver Birkmeier |
Account Manager | Tom Rundel |
Production Manager | Daniel Wunderer |
Production Manager | Axel Leyck |
Executive Producer | Auro Stagge |
Production Company | Hochkant Film GmbH & Co KG |
Assistant Producer | Semeli Loukeri |
Post-production Producer | Ina Alabowitz |
Director | Anders Jedenfors |
Cinematography | Anders Jedenfors |
Editor | Iain Whitewright |
Editor | Lukas Hall |
Sound Producer | Charles Deenen |
Advertising Manager | Robert Ader |
Advertising Manager | Oliver Hoffmann |
Advertising Manager | Ludwig Liptak |
Advertising Manager | Dominique Tascioglu |
Advertising Manager | Dennis Carlini |
13. BMW iX2 / Make It Real
Title | Make It Real |
Brief | In a world of polar opposites, it is a rebellious act to show the beauty of two sides connecting. In our case, we have Web3 and AI on the one hand, and the accelerating development towards sustainable mobility on the other. We identified the highly digital and 100% electric BMW iX2 as the perfect car to fuse these worlds – and thus, justifying its strategic positioning as ‘the rebel with a cause’.To tell this story, BMW collaborated with virtual influencer lil Miquela (@lilmiquela, 2.7 million Instagram followers) and sent her on a journey to find real life beauty in the digital age. Critically acclaimed director Stefanie Soho created a film with an unusual existential tone, capturing an emotional and visually striking story. Serious yet sweet, we see lil Miquela breaking into the real world with the new BMW iX2 and falling in love with human existence. All concluded with a campaign claim that sounds more like a statement: MAKE IT REAL. |
Agency | Monks London |
Campaign | Make It Real |
Advertiser | BMW |
Brand | BMW iX2 |
Date of First Broadcast/Publication | 2023 / 10 |
Business Sector | Automotive |
Story | In a world of polar opposites, it is a rebellious act to show the beauty of two sides connecting. In our case, we have Web3 and AI on the one hand, and the accelerating development towards sustainable mobility on the other. We identified the highly digital and 100% electric BMW iX2 as the perfect car to fuse these worlds – and thus, justifying its strategic positioning as ‘the rebel with a cause’.To tell this story, BMW collaborated with virtual influencer lil Miquela (@lilmiquela, 2.7 million Instagram followers) and sent her on a journey to find real life beauty in the digital age. Critically acclaimed director Stefanie Soho created a film with an unusual existential tone, capturing an emotional and visually striking story. Serious yet sweet, we see lil Miquela breaking into the real world with the new BMW iX2 and falling in love with human existence. All concluded with a campaign claim that sounds more like a statement: MAKE IT REAL. |
Media Type | Web Film |
Head of BMW Content Creation and Production | Max Bauer |
Customer Journey Campaign Lead | Christina von Jakubowski, BMW |
Project Lead Film | Daniela Sykes, BMW |
Project Lead Artwork | Lisa Schmack, BMW |
Creative Director | Jessica Currie, Dapper Labs/lil Miquela |
CG Lead | Dhairya Patel, Dapper Labs/lil Miquela |
Agency | Media.Monks |
Account Management | Susanne Schwermer, Nicole Niemann - Media.Monks |
Executive Creative Directors | Patrick Klebba, Christof Deutscher - Media.Monks |
Creative Director & Project Lead | Mario Zaradic, Media.Monks |
Senior Art Directors | Tomic Lee, Moe Qubia - Media.Monks |
Art Director | Junggle Kim, Media.Monks |
Senior Copywriter | Oliver Schnitzer, Media.Monks |
Copywriter | Poppy Kilby-Tyre, Media.Monks |
Project Management | Britta Meisterjahn, Media.Monks |
Strategy Director | Santiago Ramirez, Media.Monks |
Executive Producer | Patrick Cahill, Media.Monks |
Senior Producer (Film) | Alexandra Kaesler, Media.Monks |
Producer (Artwork) | Max Huber, Media.Monks |
Post Producer (Artwork) | Vivianne Bonnefond, Media.Monks |
Post-Production Support (Film) | Andrej Loebel, Media.Monks |
Production Film | BWGTBLD |
Executive Producer | Julian Holland |
Director | Stefanie Soho |
Director of Photography | Oliver Millar |
Music | Hugo Dubery, Gustav Karlström |
Editing | Nik Kohler |
Styling | Harper Slate, Julia Quante |
Grading | Mikey Rossiter / Rare Medium New York |
Line Producer | Tom Erhardt |
Post Producer | Claudia Reissen, Victor de Castillo |
Service Production | Bas Films |
Post Production | Rohtau |
Executive Creative Director, VFX Supervisor | Jordi Bares |
Executive Producer | Josh King |
Head of Production and Sustainability | Josh King |
Post Producer | Romilly Endacott |
AI Artist | Ahmed Abdelnaby |
Senior CG Car Asset, Model and Texturing | Narek Gabazyan |
Senior Lighting & FX TD | Mathias Villemont |
Lead Nuke & Flame Compositor | Diego Camacho |
Lead Flame Compositor | HongRu Chen |
Service Production Artwork | Falca |
Service Producer | Jack Daniel-Dempsey |
Photographer | Chris Noltekuhlmann |
Photoassistant | Florian Brandl |
Post Production | ReCom |
Post Production Artist | Pepe Alram, Daniel Seiler, Katharina Löffler |
Post Production Supervisor | Lars Wittmak |
Pacific, Managing Director | Sven Schäferkord |
Talent Manager | Gabe Walker, PRE.VEYOR |
14. Mugler / Spring Summer 2022
Title | Spring Summer 2022 |
Campaign | Mugler |
Advertiser | Mugler Fashion and Fragrances |
Brand | Mugler |
Date of First Broadcast/Publication | 2022 |
Business Sector | Clothing |
Media Type | Branded Content |
Length | |
Post Production | Modern Post |
Creative Director | Casey Cadwallader |
Director | Torso |
Production Company | Division Paris |
Director of Photography (DOP) | Stuart Winecoff |
Head of Film | Gwendoline Victoria |
Executive Producer | Jules de Chateleux |
Editor | Will Town |
Editor | Anthony Valdez |
Executive Producer | Charlyn Derrick |
15. Aston Martin Valkyrie / Intensity.Driven.
Title | Intensity.Driven. |
Agency | Design Bridge & Partners |
Campaign | Intensity.Driven. |
Advertiser | Aston Martin |
Brand | Aston Martin Valkyrie |
Date of First Broadcast/Publication | 2022 |
Business Sector | Full Size & DeLuxe Cars |
Media Type | Digital |
Length | |
Executive Creative Director | Stuart Radford |
Creative Director | Sam Hall |
Client Partner | Suzanne Neal |
Senior Account Manager | Lucy Jones |
Strategy Partner | Adam Sefton |
Copywriter | Tom Tytherleigh |
Design Director | George Bradshaw |
Design Director | Piers Komlosy |
Senior Designer | Leanne Kitchen |
Senior Designer | Sam Ratcliffe |
Digital Artist | Alex Guevara |
Digital Artist | Daniel Dalfovo |
Digital Artist | Itaru Yasuda |
Technical Director | Edward Pescetto |
Artworker | Anton Fimaier |
Artworker | Jeremy Down |
Artworker | Tom Fisher |
Artworker | Alex Zanzico |
Creative Technology Director | Laurens van den Broek |
Producer | Katie Empett |